My Indieket2017 Stories: Long Time, No See

And I’m back! Correction: I was finally back. I had been meaning to be for quite a long time, I thought it would never happen again. Several missed events after the last one I went to (I can’t even remember what year that was), I was back at Bayanihan Center last August 5, attending Indieket 2017…Yaaay!!!

I already made the decision to go maybe two months ago, though I was never really sure I would. Blame it on the many times I had to ditch going due to some reason or another. Valid reasons, I assure you, disappointing to me nonetheless. The ongoing disappointment kind of diminished, also due to a valid reason, so I was happily planning again. Despite several negative things happening weeks before the event, I finally really got to go to this year’s Komikon Indie Market.

In fact, here are my lovely loot:

They look like a lot, but they’re not. Don’t let this shot fool you. There are just a few comics there of different sizes and styles, a pad of stationery, a bookmark, one sticker, the event catalog, and the giveaway. The rest are business cards.

The Comicolor covers from Meganon Comics–I got the red one…Image from Meganon’s Facebook page

I loooove the giveaway! Upon presenting my ticket, I was surprised to receive, along with the catalog, a thick coloring book that I later found out to be made by the MEGANON COMICS Team. I remember seeing some free-for-first-50-goers or free-while-supply-lasts announcement online, I honestly just didn’t mind it enough. Therefore, I’m so glad I got the freebie!

They call it the Comicolor and based on the image at right, there are two covers. It features works from their different artists such as Puso Negro creator JP Palabon, Strange Natives and Tanod illustrator Jerico Marte, and comic illustrator and digital artist Redge Vicente. What makes it better is that I get to color the pages any way I want! Should I let the kids do some coloring on it, too? Uh…I’ll think about it. They haven’t graduated yet from kids’ coloring books.

Anyway, I really assumed it was a comic book and shoved it in my bag to check later at home. Only on the bus did I find out how wrong I was. Well…technically, it’s still a comic book, I guess.

Maktan 1521 (by Tepai Pascual) is included in Comicolor

Recognize the cover? I was not able to write down what and from whose work this is. Will update

It was still early that there weren’t a lot of comic geeks yet, save from the artists, some of whom were still setting up. I honestly avoided the tables near the entrance, wanting to see works I was more familiar with first. So my real first stop was at the posted set of the same image in various color renditions. It’s a digital coloring contest for Joanah Tinio Calingo‘s Cresci Prophecies.

These were my bets, in random order (Click HERE to see all entries clearly):

The winners were the following: 1st place: Entry 3 – Von Daren Milano, 2nd place: Entry 16 – Rowell Cruz, 3rd place: Entry 2 – Margie Rose Sagadraca. I’m so surprised that I actually got two guesses right…Congratulations to the winners!

Next that I did was to look for the artists I’m a suki (regular patron) of. Unfortunately, there were only a few of them in attendance. Meanwhile, the Indieket introduces new artists and their works that should help them gain followers as well.

Comic geeks all over

It wasn’t hard to find the Alphario: The World Connection Team. You could see their sign from afar. Too bad the light would not turn on…

I had to think hard about which book to get as I forgot which issues I had already; I did guess right. Also, there were no other Alphario cosplayers unlike before *sad* Creator SPLGum‘s partner, artist Stryler, tried his hand on something else, coming up with his own comics titled Burning Love. Thought I’d buy one and see how I would like it.

Alphario? Hard to miss!

(CLOCKWISE FR. TOP LEFT): Stryler‘s Burning Love, various Alphario wares, Alphario creator SPLGum signs my copy as “SPOT” looks on,  and SPLGum in his Team Skull outfit striking a pose with Pikachu 😉

My Alphario acquisitions

 

 

 

 

 

 

 

 

Nearby were the booths allotted for comic book and merchandise stores. If I were an American comics and/or manga collector, I would’ve gone through the many titles (and stuff) they offered. But I’m not, I wouldn’t know what to look for exactly. Moreover, knowing myself, I would be going through everything–I didn’t have time for that. On some other regular day, maybe I would.

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I forgot to get the name of this sponsor…Help?

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Comic Odyssey

It was announced onstage where to purchase Manix Abrera shirts, so I found the table and finally decided to buy myself a shirt, something I wouldn’t normally do for budgeting reasons. I just could not pass this up. It had been too long since my last Komikon and I wanted to be nicer to and treat myself.

It seemed like it was selling like hotcakes as the woman at the table told her companion they were running out of supplies already. In fact, I think she gave me one of the last–if not the last–shirt of the size I got. The title on the shirt says “Ilang Maaaring Matagpuan sa Komikon” (loosely translated based on content: The People You See at Komikons)

The Manix Abrera shirt. Oh, and that green and round thingy is a sticker that came with the shirt

(LEFT) All the Sulyap Komiks anthologies; (RIGHT) The feature page for Ang Sumpa creator Andoyman in Sulyap 3 (a.k.a. “Ikatlong Sulyap” / Third Glance)

Oh, look, the Sulyap anthologies! Well, I passed those up for now. Besides, Andoyman already gave me a copy of Sulyap 3 and while Ang Sumpa isn’t mine at all, it still gives me pleasure to see it included in the third edition. I feel like a part of it. Well, my name’s there, so yeah, right? Credit by association, ha ha!…I might be actually trying out some things. We’ll see.

Niño Balita at the Espiritista table

Walked some more and spotted Niño Balita, Espiritista creator, together with the wifey and the cutie baby. I was disappointed, though, not to see a single Espiritista issue laid out anywhere. I did purchase his new work Ang Walang Kasing Bangis na Paglipad ni Cotton! (The Most Awesome Flight of Cotton!…sorry for the not-so-good translation). It probably was not new to others, just to me.

There were nice stationery papers there, too, for only P20 per pad. I picked a pad that focused on Espiritista characters alone and had the artist sign the first sheet (I honestly think he forgot my name, LOL!!! He didn’t ask, I didn’t give it). I’m not sure if I’m ever going to use any sheet from it as I want to preserve everything, heh.

Also got an artist-drawn bookmark with a nice quote on it. I chose the dragon design, by the way. It says:

“Fairy tales do not tell children the dragons exist. Children already know that dragons exist. Fairy tales tell children the dragons can be killed.” – G.K. Chesterton

Love the dragon, love the quote–win-win!

A closer look at the merchandise on the Espiritista table

MY loot

Beside his table was that of a young artist, Carl Cervantes. I actually noticed him first before Niño because he was smiling and seemed waiting for me to approach, which I fought the urge to do. As said, my priority were artists I was familiar with. After Niño, though, it didn’t feel right not to talk to the kid as I somehow sensed he was a newbie going through the awkward stage (of being new and learning the ropes…At least, that’s what I thought).

Getting philosophical and even philoso(po)cal with Komikon newbie Carl Cervantes

What’s on Carl’s table?

There were still a few people anyway so I thought of talking to him instead of going back when the place would already be crowded. Besides, aside from looking friendly, he really looked familiar. I told him that and he said if I watched television, he’s an actor in one of the series. He added that he’s in this certain commercial, which I could not remember at that moment until I was on the bus on the way to Makati.

It turned out that I was right. The actor/singer/host (I Googled, okay?) has now added “comics artist” in his resumé. Needless to say, I had him explain his work. His philosophical approach interested me, which made me give his work a shot, after all, I was also there to discover new artists.

Then I went to another new (to me) artist. From the philosophical, I moved to the poetic. I met Brian Vee. From the get-go, he had me at Kung Alam Ko Lang (If I Only Knew). Well, that’s the title of his work. I honestly was attracted to the whole cover design–love the color, the material, the whole aesthetics. It’s what caught my eyes.

Brian Vee with his masterpieces (sorry, the books aren’t shot whole here). Had an interesting conversation with him about them, especially about Kung Alam Ko Lang

I asked him what it’s about and when he said it’s his message to his mother, I actually asked, “Oh no, is this going to make me cry?” I mean, a message to mom, an if-only title, stars on the cover…I knew already the why. Knowing the pain of losing a parent, I already felt overwhelmed without browsing through the thing. He sheepishly admitted that it could (not that he promised it would). I think he gave me a little background (I say “think” because I’m not sure if he did or if what I remember, I only initially got from reading). All the while, I kept remembering my own mother and tried to gauge my own if-onlys.

Brian said that people found it sad, he had been getting such feedback from others. I could relate to this because back when I was working for a publication, I wrote a poem/ode and a little vignette. I got a similar feedback. Side-story aside, I was really curious, especially when he mentioned being a spoken word artist and having performed Kung Alam Mo Lang onstage. I bought his book mainly because I could relate to him in more ways than one.

Here’s a link to his spoken poetry performance (you can find more from his YouTube channel):

I decided to finally approach a table that was near the entrance. I naturally was drawn to the Pockets Fulla Pillz (PFP) table because of the guy sitting behind it and calling out to people. I decided to try out an issue of Rocketgirl because (1) though it’s an American comic book, it has a Filipina heroine, and (2) PFP CEO Fred “That Guy” Corder was quite the convincing salesman. I could sense the passion he has for what he does.

PFP also produced the really nice art series Don’t Trust the Kitten where you have to find the kitten in the picture that causes the problem. I really liked the copies I saw at the Indieket, but the thing was, I wouldn’t know where to put one at home even if budget allowed it. Next time, maybe. Meanwhile, the girl there was the very talented Alexie Laggui of Laguillotine. Research tells me she did some, if not all, of the images.

Fred “That Guy” Corder, CEO of American publisher Pockets Fulla Pillz that publishes Rocketgirl, which features a Filipina heroine

As suggested by That Guy who’s the Rocketgirl creator, I am starting with this issue so I’ll know the whole background

The Don’t Trust the Kitten series

Next up was the Codename: Bathala and Digmaang Salinlahi (War of Generations) creator Jon Zamar. I admit, I’m not good with faces especially if I don’t get to see a person face-to-face at least twice, even if it’s one of the most popular names in the industry. I assumed it was him in front of me, yet I wasn’t sure. There was no one else with him at the time whom I could silently ask, so without pretense, I asked his name. He said, “I’m Jon,” and I apologized. At least I was honest. And I finally got his autograph, yay!

Looking at the merchandise, I was in a dilemma. I already had the first issue of Bathala. Getting the second issue would be the next sensible thing to do, right? Wrong. The other set was calling out to me, “Get me! Get me!” Then I left that table carrying a copy of Digmaang Salinlahi instead. In life, you will always have to make tough decisions 😉

Jon Zamar and his works. (BELOW) At left are Codename: Bathala stuff, and then some; at right are the Digmaang Salinlahi books

I walked around again, trying to see what to get next. There were many comics that I couldn’t get them all. I also wanted to meet new female artists, unfortunately, not many caught my attention, while some artworks were kind of expensive for me. I was then glad to find a table–well, two–that seemed to feature all-female artists. I was under the impression that they were all under the same group, but looking at the venue layout now from the Indieket Facebook page told me that I may be wrong. I will not hazard a guess.

While I only saw female artists here, ComicDojo is NOT an all-girl artists group. What is ComicDojo? It is “a bunch of people who love comics and would want to help kids and frustrated artists to finally publish their work,” according to artist Gabi Mara

I certainly will check them out again next time!

Gabi Mara holding out my signed copy of her work, Lore

I chose to inquire deeper about the work that got my attention. The title was Lore, and that interested me alright, already setting my expectations high. I liked the drawing as well. Of course, I had creator Gabi Mara explain the story to me. It was short, still, the premise already piqued my interest, I had her sign my copy in no time.

I did feel like she was kind of busy or her mind was preoccupied, that’s why I didn’t press for a longer conversation. She was able to answer me about the group being all-girls and explain a bit, though, except new patrons arrived and needed her attention. I was already happy with my purchase, anyway.

[Ed. This part may have confused you more than it did me. Fortunately, Miss Mara explained it in the comments. She is a new member of an all-girl team called Tequila Tea Party.]

I was ready to go home. Onstage, an artist was being interviewed. I was not listening (sorry) because my mind was on the comics and the time (still had to go back to Makati then head home). However, I noticed two lone tables on one side near the stage and that got me curious. I was especially curious because on one, a textbook-sized comic novel with a glossy, fully-colored cover was on display, being sold at just P100 (just found out it’s already 10-years-old, that’s why maybe). That was a huge come-on to me.

I dared get close and talk to the guy manning the store. He explained the story to me and acknowledged that it’s for mature readers only (read: adult readers). I agreed, just judging from the title: Lexy, Nance & Argus: Sex, Gods, Rock & Roll. Now, normally, I would buy more wholesome stuff to share with my kids, except I couldn’t pass this up as well. Now came the signing part and I awkwardly asked. “Are you the artist?” The guy smiled, amused, and said, “No! He’s that guy onstage!” I think I wanted the ground to swallow me whole then. Note to self: At least, check the name first!

Onstage was Oliver Pulumbarit, writer-editor and occasional comic book artist, one of the three special guests for the Indieket that day. Well, given that it was not the first time I embarrassed myself that day, I just played it cool and chatted with the guy there whose name I was afraid to ask by then, he he. Fortunately, the interview ended soon after and I got my copy signed, then I zoomed out of there 😉

(CLOCKWISE FR. TOP LEFT) The tarpaulin at the lobby clearly shows artist Oliver Pulumbarit as one of the events’ special guests; the interview proper; Lexy, Nance & Argus: Sex, Gods, Rock & Roll; other works and shorter versions; the artist and his work

And THAT was how my Indieket went. Overall, I think it went really well, anecdotes included. I can’t wait for November’s Komikon! By then, I’ll be more ready. Go, Komikon!

Here’s a video from the event, as posted on the Indieket Facebook page. ENJOY!!!

 

All images Copyright © J.Gi Federizo unless otherwise indicated

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I will link to a photo album soon, I’m just trying to decide on something.

For more Komikon-related posts, please go to COMICS TRIPS.

Komikon for Dummies

Last Saturday, August 2, was 2014’s Indieket Day or the Independent Komiks Market event of the local Komikon, the Philippines’ own comics convention. Indieket is the second of three bigger Komikon events held annually, the other two being the Summer Komikon (keyword: summer) and the regular one usually held November or December (my friend Sherwin The Kraken tries to call it the Winter Komikon, nevermind that we have no winter). Other often smaller but equally special conventions happen in provinces once in a while, too, like in Cebu, Baguio and, recently, Iloilo.

I’ve been attending these three Komikons a few years now and *BIG SIGH* last Saturday, I was absent. For the first time since I began patronizing the once-again blooming comics industry, I missed an event. *MORE SIGHS* For more personal reasons that can actually be elaborated some other time, I stayed home instead and got busy.

Well, comics-related events have been around for quite a while before I discovered one, but I do believe I can say that I am now credible enough to share what I know. So since I have not been sharing my experiences in the more recent events, I thought I’d come up with this post. If you’re a Komikon dummy like I was, read on. This can help you on your first–or your next–Komikon experience.

The Dos-and-Don’ts Guide for Komikon Dummies

To the uninitiated, lemme explain. The occasion is for comics artists to showcase their works and for enthusiasts to take advantage of this. Rarely do you encounter dozens of artists and creators crammed in one place, so good for you. Here, you will find both newbie creators and more seasoned ones — take your pick. Okay, let’s start…

The Bayanihan Center facade. Credits belong to Ateneo.edu

1. KNOW the venue. Sounds duh, but it’s great advice coming from experience. Around two years ago, my officemates and I were to attend a Gaming, Toys, Manga/Anime and Cosplay Convention or GTMACCON (this is not Komikon, but just to drive a point…). We were a big enough bunch who came from Makati and went somewhere in UP Diliman to attend. We waited on university grounds until it was way beyond schedule and it seemed the place wasn’t even going to open. Finally, I texted comics guy Andoyman, asking where the exact venue was as someone got stuck with the wrong info that got disseminated to us.

Lo and behold! We were not even close! To add insult to injury, the venue was just in Makati, WHERE WE CAME FROM…Wow, mali (wrong). GTMACCON: Go To MAling Comics CONvention. The usual venue for the Komikon, by the way, is the Bayanihan Center located at the Unilab Compound in Pasig. 

2. Come early. It’s not like you’re going to be thrown out of the event or anything if you come in the afternoon. But it has been observed that the Summer Komikon and the “Winter” one tend to draw a big crowd. You’ll want to be one of the first to see the various merchandise, talk to the artists and ask for autographs and/or photographs. If you’re lucky, some artists give away their own simple freebies like little snacks, stickers, etcetera, as a form of appreciation. Better be there before supplies end.

It’s one, big geeky event, can’t you tell? This is the main hall where Komikon is always held, but you can imagine how it must have looked like at the entrance.

The organizers do give away freebies also right at the event entrance (not the building entrance, but where you are allowed entry after paying P100 for your ticket). Don’t expect too much, though. This is not Oprah or Ellen. Sometimes, sponsors put up booths/tables like 711 that once gave away free Slurpee and commemorative Lord of the Rings tumblers.

There’s Tico Limosinero’s boy robot Neox together with Elbert Or‘s Chuck the Bakemono High werecub (extreme right), Ikos Komiks’ Ronzkie Pacho-Vidal‘s Asul from her work Sulsi at 6 o’clock and Michael David’s own ‘kikiam’ renditions of Chuck and Asul

Oh, and at times, they give away catalogs with lots of free space on them where you can ask artists to draw something for you for free (do buy something first, please!). You can do that throughout the day, but being early means you’ll have more time to approach more artists for it, plus they won’t be too tired already to draw anything. 

3. Don’t be a snob. If you look down on local comics based on them being, well, local, this is not the event for you. Either you beat it, pal, or give local comics a chance. There are ways, though, to get your fix of foreign ones by visiting booths of edition sellers like Comic Odyssey that has somehow become a sort of fixture, so to speak, in Komikon events because I see them there every time.

Meanwhile, we know you most probably know the creators of Kiko Machine, Pugad Baboy, Kubori Kikiam and the likes. These guys get the longest lines of people wanting to buy their products for some great photo-ops and autograph-signing with their idols. BUT the Komikon is mainly one giant showcase of newer talents. It won’t hurt to get to know them and their works. It’s actually fun to be “there” when a comic book is just starting and to gradually see it grow, so to speak.

By the way, while the Indieket gives much more chance for new creators by giving them the spotlight, on other Komikons, they are provided a separate area called the Indie Tiangge. It’s a sort of rite of passage before they are finally allowed to make it big…Er, well, before they are allowed to take space in the main activity area, that is. Some not-so-new ones are there as well simply because they are new participants of the event.  There are various factors considered but I’m not an authority on that, ergo, I leave it to you to interview anyone there. Make sure, though, to pay the Tiangge a visit. Not because they’re there, they are not worth a look. That’s not how it works. You’ll never know what treasure lies undiscovered in that room.

I encountered the Espiritista, its first-ever of the series by Niño Balita, at the Summer Komikon 2013 Indie Tiangge and I have been happily following his creation…Congrats to him and the Mrs. Espiritista–I mean–Mrs. Irene Balita, by the way!!!  They just exchanged I-Dos a few months ago 🙂

I also first found Drop Dead Dangerous at the Indie Tiangge and I have been hooked ever since. Story by Chad Cabrera, art by Mike Banting

4. Have ka-ching, will buy. Sure, no one will send you away for “window shopping”. But the point of being there is to purchase, at the least, one or two comics. You don’t have to have a lot of moolah, believe me, I know. It’s one big decision-making exercise. A limited budget can still buy you more or less a dozen titles. A lot of them are priced from as low as P30, even P20. That’s already a steal, considering it’s art and the labor of one’s love. Of course, for such a price, do not expect a thick, glossy, full-colored edition. Generally, you’ll get photocopied versions, or limitedly colored ones, at least. But if you’re any good at choosing your comics, you can get clear, respectable-looking ones. Inexpensive doesn’t necessarily have to mean cheap.

Andoyman’s Ang Sumpa is one of those inexpensive comics that do not disappoint visually. And, no, I am not just saying that because I know him nor does it have to do with me being somehow a part of it. Shameless plug, though: DO GET YOUR COPIES!!!

Finally got to buy from the artist who likes to be simply called Macoy my own copies of School Run! He’s got various titles for you to choose from and the prices do vary based on thickness. The illustrations are fun and I like his storytelling

The Ikos Komiks table is one stop I never forget to do. They are a group of three artists with different styles in drawing and storytelling. In this pic are the aforementioned Ronzkie Pacho-Vidal (left) and Anino Karimlan (right). In-between is (the missing) Ray Vidal‘s Lola Lourdes whose stories and poems I get to read every time as they give away copies of her own brand of art — Thanks po for the autograph!!!

This one from Freely Abrigo, his Kulas, could be bought at just P30 with a fully-colored, little glossy cover

Also, I have stumbled upon inexpensive comics that have much better stories and illustrations than some pricier, glossier ones. It’s not just about getting your money’s worth when obviously, you can get much more satisfaction with still the least possible expense. If you do have more money to spare, then by all means, go for more gold! Maybe you’d like to purchase other comics-inspired merchandise, too, such as posters, stickers, plushies, beanie hats, keychains…You can even have works commissioned.

5.  Choose wisely. It’s another decision-making exercise. If you don’t know the artist/creator in front of you and can’t tell by just looking that you’d like to purchase, browse through a copy. If the premise does not interest you whatsoever, or the storytelling is bad, or the supposed humor is lacking, or the drawings either leave much to be desired or are totally horrendous (that totally happens), put the copy down and walk away.

Sherwin The Kraken (the guy in middle) has really gotten to be a FUM fan so he never misses to visit their table. These are your FUM peeps, folks! He’s got all their comic mag editions, I think, not much encouraging needed

Try not to engage or be pulled to engage in a conversation with the artist unless you sincerely would really like to learn more about the comic book. Just saying, because that would be the more humane thing to do than to put his hopes up and have him waste time and energy trying to convince you when you’re not even buying.

On a more positive note, it’s a win-win situation, whether you buy or not. If you don’t, you don’t end up with something you don’t want. If you do, at least you’ve helped someone and maybe given him the inspiration to do better next time. 

6. Pay more attention. Enthusiasts are expected to walk around the area sizing up comics and getting to know the people behind the comics. By all means, do that. But you might also want to pay attention to the stage and what they announce over the microphone once in a while. Why? The organizers have prepared more stuff and surprises for you: Contests. Interviews with well-known international Pinoy artists like Whilce Portacio of X-Men fame. Featured guests, like those from the Macoy comics-based indie film ANG MASKOT. Even surprise wedding proposals!!! Also, talks and film showings are sometimes held in other rooms.

International Guests!!!

Self-explanatory.

I also say pay attention because being a much-attended event, it has gotten the attention of bad elements as well and there have been unfortunate cases of loss of valuables. Take care of your things and, as signs always say, “Please do not leave your valuables unattended.” 

7. Don’t expect a food fair. Don’t go around complaining where the food stalls are–it’s not a food fair. There is a designated area for a limited bunch of food to buy, so find out where it is. There may be a hotdog-eating game happening onstage so if you’re also up to it, why not??? (hint: it normally happens pre-lunch period). Some participants actually give away little snacks so it pays to be early before they run out. Some do get to sell munchies at stalls outside the main Komikon area. However, if you really want fuller meals, just have your wrist stamped for re-entry later and get out of the venue. There are fast-food and regular restos around.

Once in a while, there are little snacks you can get your hands on. For a price, though. But, boy, do they look yummy….(DISCLAIMER: I’m not endorsing anything)

8. Expect cosplayers. Encounters with comic characters in the flesh are quite possible so get your cameras ready. The Komikon is often attended by cosplayers who are either there for fun or are representing artists’ creations, like the famous Amber from Ambush and Dennis and his pal from Alphario: The World Connection. Do not expect many of them, though. It’s not a cosplay event after all.    

Creator SPLGum as Dennis Blake (sitting) and friend Wilhansen Li as the character Senjo Tamura. Photo credits to SPLGum and whoever took this pic

9. Join contests. It can be as simple as the aforementioned eating contest, or raffles the organizers or artists themselves are holding, or a meet-and-greet with well-known international artists, or an actual video game at someone’s booth. Whatever the organizers and its participants’ clever minds can think of! My Komikon buddy Sherwin actually joined a create-your-character thing sponsored by Filbar’s. His and the other competitors’ works were simply amazing!

10. ENJOY!!! Totally self-explanatory, right? I just saved the best for last 🙂

Well, I hope I’ve given you ideas, you Komikon newbies. There could be lots more I have not covered, but I’ll let you discover those for yourselves. That’s part of enjoying the whole Komikon experience. Meanwhile, here are some more random but nice pics I haven’t shared before. Forgive the layout, I am editing it (there are still stuff that I don’t understand in WordPress…), and will add links soon.

Very cool Planeswalker cards that were actually just giveaways. I got Ajani, Chandra, Jace, Liliana, and Tezzeret. You can’t really play them (like I’d even know how), but they’re nice souvenirs and the art is whoah!!! Digital art by Allen Geneta

Cute Manosaur cartoon by Elbert Or on my catalog

Just had to post ’cause I really like this shot. Photo credits to SPLGum and whoever took this pic

Sherwin’s winning pose for Alphario’s Pose with Spot contest (well, I forgot the name of the contest, too, hee…)

I won for the most number of Facebook Likes category mainly because I begged and forced people–I mean, I looked so convincing…uhm, yeah…

I wasn’t EVER going to buy posters as my main goal was to buy comics, but when I saw this at Allen Geneta’s table, I knew I just HAD to have a copy. Recognize these ninjutsu-trained amphibians? Click HERE for a closer look

First time to wear one of those beanie hats at an event. My Komikon buddy was right, it was liberating, he he…That was the nearest to cosplaying in public that I could get, if that’s even cosplaying. But hey, notice my colors? 😉

So…plushies…!!!!

So cuuuuteee!!!!

The new Gerry Alanguilan book…I honestly have not bought a copy yet and have not read any part of it. I hope it’s just as good as his Elmer and Wasted

The Sulsi main characters. Got my complete set already, woohoo!!!

“Yes, I’m shameless. So sue me.”

              See you next Komikon…I PROMISE!!!!!

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Thanks so much just for dropping by and I hope you got even the tiniest bit of new info. For more Komikon-related posts, please go to COMICS TRIPS.