My Indieket2017 Stories: Long Time, No See

And I’m back! Correction: I was finally back. I had been meaning to be for quite a long time, I thought it would never happen again. Several missed events after the last one I went to (I can’t even remember what year that was), I was back at Bayanihan Center last August 5, attending Indieket 2017…Yaaay!!!

I already made the decision to go maybe two months ago, though I was never really sure I would. Blame it on the many times I had to ditch going due to some reason or another. Valid reasons, I assure you, disappointing to me nonetheless. The ongoing disappointment kind of diminished, also due to a valid reason, so I was happily planning again. Despite several negative things happening weeks before the event, I finally really got to go to this year’s Komikon Indie Market.

In fact, here are my lovely loot:

They look like a lot, but they’re not. Don’t let this shot fool you. There are just a few comics there of different sizes and styles, a pad of stationery, a bookmark, one sticker, the event catalog, and the giveaway. The rest are business cards.

The Comicolor covers from Meganon Comics–I got the red one…Image from Meganon’s Facebook page

I loooove the giveaway! Upon presenting my ticket, I was surprised to receive, along with the catalog, a thick coloring book that I later found out to be made by the MEGANON COMICS Team. I remember seeing some free-for-first-50-goers or free-while-supply-lasts announcement online, I honestly just didn’t mind it enough. Therefore, I’m so glad I got the freebie!

They call it the Comicolor and based on the image at right, there are two covers. It features works from their different artists such as Puso Negro creator JP Palabon, Strange Natives and Tanod illustrator Jerico Marte, and comic illustrator and digital artist Redge Vicente. What makes it better is that I get to color the pages any way I want! Should I let the kids do some coloring on it, too? Uh…I’ll think about it. They haven’t graduated yet from kids’ coloring books.

Anyway, I really assumed it was a comic book and shoved it in my bag to check later at home. Only on the bus did I find out how wrong I was. Well…technically, it’s still a comic book, I guess.

Maktan 1521 (by Tepai Pascual) is included in Comicolor

Recognize the cover? I was not able to write down what and from whose work this is. Will update

It was still early that there weren’t a lot of comic geeks yet, save from the artists, some of whom were still setting up. I honestly avoided the tables near the entrance, wanting to see works I was more familiar with first. So my real first stop was at the posted set of the same image in various color renditions. It’s a digital coloring contest for Joanah Tinio Calingo‘s Cresci Prophecies.

These were my bets, in random order (Click HERE to see all entries clearly):

The winners were the following: 1st place: Entry 3 – Von Daren Milano, 2nd place: Entry 16 – Rowell Cruz, 3rd place: Entry 2 – Margie Rose Sagadraca. I’m so surprised that I actually got two guesses right…Congratulations to the winners!

Next that I did was to look for the artists I’m a suki (regular patron) of. Unfortunately, there were only a few of them in attendance. Meanwhile, the Indieket introduces new artists and their works that should help them gain followers as well.

Comic geeks all over

It wasn’t hard to find the Alphario: The World Connection Team. You could see their sign from afar. Too bad the light would not turn on…

I had to think hard about which book to get as I forgot which issues I had already; I did guess right. Also, there were no other Alphario cosplayers unlike before *sad* Creator SPLGum‘s partner, artist Stryler, tried his hand on something else, coming up with his own comics titled Burning Love. Thought I’d buy one and see how I would like it.

Alphario? Hard to miss!

(CLOCKWISE FR. TOP LEFT): Stryler‘s Burning Love, various Alphario wares, Alphario creator SPLGum signs my copy as “SPOT” looks on,  and SPLGum in his Team Skull outfit striking a pose with Pikachu 😉

My Alphario acquisitions

 

 

 

 

 

 

 

 

Nearby were the booths allotted for comic book and merchandise stores. If I were an American comics and/or manga collector, I would’ve gone through the many titles (and stuff) they offered. But I’m not, I wouldn’t know what to look for exactly. Moreover, knowing myself, I would be going through everything–I didn’t have time for that. On some other regular day, maybe I would.

Fandom Feels PH

I forgot to get the name of this sponsor…Help?

YourComicShop

Comic Odyssey

It was announced onstage where to purchase Manix Abrera shirts, so I found the table and finally decided to buy myself a shirt, something I wouldn’t normally do for budgeting reasons. I just could not pass this up. It had been too long since my last Komikon and I wanted to be nicer to and treat myself.

It seemed like it was selling like hotcakes as the woman at the table told her companion they were running out of supplies already. In fact, I think she gave me one of the last–if not the last–shirt of the size I got. The title on the shirt says “Ilang Maaaring Matagpuan sa Komikon” (loosely translated based on content: The People You See at Komikons)

The Manix Abrera shirt. Oh, and that green and round thingy is a sticker that came with the shirt

(LEFT) All the Sulyap Komiks anthologies; (RIGHT) The feature page for Ang Sumpa creator Andoyman in Sulyap 3 (a.k.a. “Ikatlong Sulyap” / Third Glance)

Oh, look, the Sulyap anthologies! Well, I passed those up for now. Besides, Andoyman already gave me a copy of Sulyap 3 and while Ang Sumpa isn’t mine at all, it still gives me pleasure to see it included in the third edition. I feel like a part of it. Well, my name’s there, so yeah, right? Credit by association, ha ha!…I might be actually trying out some things. We’ll see.

Niño Balita at the Espiritista table

Walked some more and spotted Niño Balita, Espiritista creator, together with the wifey and the cutie baby. I was disappointed, though, not to see a single Espiritista issue laid out anywhere. I did purchase his new work Ang Walang Kasing Bangis na Paglipad ni Cotton! (The Most Awesome Flight of Cotton!…sorry for the not-so-good translation). It probably was not new to others, just to me.

There were nice stationery papers there, too, for only P20 per pad. I picked a pad that focused on Espiritista characters alone and had the artist sign the first sheet (I honestly think he forgot my name, LOL!!! He didn’t ask, I didn’t give it). I’m not sure if I’m ever going to use any sheet from it as I want to preserve everything, heh.

Also got an artist-drawn bookmark with a nice quote on it. I chose the dragon design, by the way. It says:

“Fairy tales do not tell children the dragons exist. Children already know that dragons exist. Fairy tales tell children the dragons can be killed.” – G.K. Chesterton

Love the dragon, love the quote–win-win!

A closer look at the merchandise on the Espiritista table

MY loot

Beside his table was that of a young artist, Carl Cervantes. I actually noticed him first before Niño because he was smiling and seemed waiting for me to approach, which I fought the urge to do. As said, my priority were artists I was familiar with. After Niño, though, it didn’t feel right not to talk to the kid as I somehow sensed he was a newbie going through the awkward stage (of being new and learning the ropes…At least, that’s what I thought).

Getting philosophical and even philoso(po)cal with Komikon newbie Carl Cervantes

What’s on Carl’s table?

There were still a few people anyway so I thought of talking to him instead of going back when the place would already be crowded. Besides, aside from looking friendly, he really looked familiar. I told him that and he said if I watched television, he’s an actor in one of the series. He added that he’s in this certain commercial, which I could not remember at that moment until I was on the bus on the way to Makati.

It turned out that I was right. The actor/singer/host (I Googled, okay?) has now added “comics artist” in his resumé. Needless to say, I had him explain his work. His philosophical approach interested me, which made me give his work a shot, after all, I was also there to discover new artists.

Then I went to another new (to me) artist. From the philosophical, I moved to the poetic. I met Brian Vee. From the get-go, he had me at Kung Alam Ko Lang (If I Only Knew). Well, that’s the title of his work. I honestly was attracted to the whole cover design–love the color, the material, the whole aesthetics. It’s what caught my eyes.

Brian Vee with his masterpieces (sorry, the books aren’t shot whole here). Had an interesting conversation with him about them, especially about Kung Alam Ko Lang

I asked him what it’s about and when he said it’s his message to his mother, I actually asked, “Oh no, is this going to make me cry?” I mean, a message to mom, an if-only title, stars on the cover…I knew already the why. Knowing the pain of losing a parent, I already felt overwhelmed without browsing through the thing. He sheepishly admitted that it could (not that he promised it would). I think he gave me a little background (I say “think” because I’m not sure if he did or if what I remember, I only initially got from reading). All the while, I kept remembering my own mother and tried to gauge my own if-onlys.

Brian said that people found it sad, he had been getting such feedback from others. I could relate to this because back when I was working for a publication, I wrote a poem/ode and a little vignette. I got a similar feedback. Side-story aside, I was really curious, especially when he mentioned being a spoken word artist and having performed Kung Alam Mo Lang onstage. I bought his book mainly because I could relate to him in more ways than one.

Here’s a link to his spoken poetry performance (you can find more from his YouTube channel):

I decided to finally approach a table that was near the entrance. I naturally was drawn to the Pockets Fulla Pillz (PFP) table because of the guy sitting behind it and calling out to people. I decided to try out an issue of Rocketgirl because (1) though it’s an American comic book, it has a Filipina heroine, and (2) PFP CEO Fred “That Guy” Corder was quite the convincing salesman. I could sense the passion he has for what he does.

PFP also produced the really nice art series Don’t Trust the Kitten where you have to find the kitten in the picture that causes the problem. I really liked the copies I saw at the Indieket, but the thing was, I wouldn’t know where to put one at home even if budget allowed it. Next time, maybe. Meanwhile, the girl there was the very talented Alexie Laggui of Laguillotine. Research tells me she did some, if not all, of the images.

Fred “That Guy” Corder, CEO of American publisher Pockets Fulla Pillz that publishes Rocketgirl, which features a Filipina heroine

As suggested by That Guy who’s the Rocketgirl creator, I am starting with this issue so I’ll know the whole background

The Don’t Trust the Kitten series

Next up was the Codename: Bathala and Digmaang Salinlahi (War of Generations) creator Jon Zamar. I admit, I’m not good with faces especially if I don’t get to see a person face-to-face at least twice, even if it’s one of the most popular names in the industry. I assumed it was him in front of me, yet I wasn’t sure. There was no one else with him at the time whom I could silently ask, so without pretense, I asked his name. He said, “I’m Jon,” and I apologized. At least I was honest. And I finally got his autograph, yay!

Looking at the merchandise, I was in a dilemma. I already had the first issue of Bathala. Getting the second issue would be the next sensible thing to do, right? Wrong. The other set was calling out to me, “Get me! Get me!” Then I left that table carrying a copy of Digmaang Salinlahi instead. In life, you will always have to make tough decisions 😉

Jon Zamar and his works. (BELOW) At left are Codename: Bathala stuff, and then some; at right are the Digmaang Salinlahi books

I walked around again, trying to see what to get next. There were many comics that I couldn’t get them all. I also wanted to meet new female artists, unfortunately, not many caught my attention, while some artworks were kind of expensive for me. I was then glad to find a table–well, two–that seemed to feature all-female artists. I was under the impression that they were all under the same group, but looking at the venue layout now from the Indieket Facebook page told me that I may be wrong. I will not hazard a guess.

While I only saw female artists here, ComicDojo is NOT an all-girl artists group. What is ComicDojo? It is “a bunch of people who love comics and would want to help kids and frustrated artists to finally publish their work,” according to artist Gabi Mara

I certainly will check them out again next time!

Gabi Mara holding out my signed copy of her work, Lore

I chose to inquire deeper about the work that got my attention. The title was Lore, and that interested me alright, already setting my expectations high. I liked the drawing as well. Of course, I had creator Gabi Mara explain the story to me. It was short, still, the premise already piqued my interest, I had her sign my copy in no time.

I did feel like she was kind of busy or her mind was preoccupied, that’s why I didn’t press for a longer conversation. She was able to answer me about the group being all-girls and explain a bit, though, except new patrons arrived and needed her attention. I was already happy with my purchase, anyway.

[Ed. This part may have confused you more than it did me. Fortunately, Miss Mara explained it in the comments. She is a new member of an all-girl team called Tequila Tea Party.]

I was ready to go home. Onstage, an artist was being interviewed. I was not listening (sorry) because my mind was on the comics and the time (still had to go back to Makati then head home). However, I noticed two lone tables on one side near the stage and that got me curious. I was especially curious because on one, a textbook-sized comic novel with a glossy, fully-colored cover was on display, being sold at just P100 (just found out it’s already 10-years-old, that’s why maybe). That was a huge come-on to me.

I dared get close and talk to the guy manning the store. He explained the story to me and acknowledged that it’s for mature readers only (read: adult readers). I agreed, just judging from the title: Lexy, Nance & Argus: Sex, Gods, Rock & Roll. Now, normally, I would buy more wholesome stuff to share with my kids, except I couldn’t pass this up as well. Now came the signing part and I awkwardly asked. “Are you the artist?” The guy smiled, amused, and said, “No! He’s that guy onstage!” I think I wanted the ground to swallow me whole then. Note to self: At least, check the name first!

Onstage was Oliver Pulumbarit, writer-editor and occasional comic book artist, one of the three special guests for the Indieket that day. Well, given that it was not the first time I embarrassed myself that day, I just played it cool and chatted with the guy there whose name I was afraid to ask by then, he he. Fortunately, the interview ended soon after and I got my copy signed, then I zoomed out of there 😉

(CLOCKWISE FR. TOP LEFT) The tarpaulin at the lobby clearly shows artist Oliver Pulumbarit as one of the events’ special guests; the interview proper; Lexy, Nance & Argus: Sex, Gods, Rock & Roll; other works and shorter versions; the artist and his work

And THAT was how my Indieket went. Overall, I think it went really well, anecdotes included. I can’t wait for November’s Komikon! By then, I’ll be more ready. Go, Komikon!

Here’s a video from the event, as posted on the Indieket Facebook page. ENJOY!!!

 

All images Copyright © J.Gi Federizo unless otherwise indicated

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I will link to a photo album soon, I’m just trying to decide on something.

For more Komikon-related posts, please go to COMICS TRIPS.

The Art of Komikonation #atozchallenge2015

If there is one thing that I have come to realize in my adult life, it’s that I’m a late-bloomer in a lot of things. I need not go into more (read: boring) details about it, but in relation to my topic of the day, it is only now, in my later years, did I realize that I really, actually love comics.

I don’t have hundreds in my collection, not yet anyway, nor do I have any of those cherished and expensive first editions of famous American comics or Japanese manga. I didn’t start collecting until several years ago when I learned from artist Jonas Diego that we actually hold local conventions now. Komikons, they have called these local gatherings, and they have successfully put “komikon” in the modern Filipino dictionary.

By that time, I was already aware that I could draw a little. Well, sketch, really. Learning about artists now gathering and holding conventions kind of made me regret I did not practice and improve on my visual artistry. Maybe I would be already joining them and marketing my own comics had I pursued learning the art, who knows?

Attending Komikon has become a part of my annual routine. I have been unable to attend some events in the past, but I have at least made it a point to be in one of the three major ones. I’ve been enjoying and, I guess, celebrating the new artists of this era who have made making local comics cool again.

I know of people who seem to look down on local comics, whether they admit it or not. The problem is they don’t even try to consider attending komikons or to simply check out samples. They have become mentally colonized to even dare think that local comics are worth their time. They either have forgotten or have no idea at all that many Filipino artists have actually been a part of various DC and Marvel series. Ever the peaceful guy, a friend of mine said it’s just probably because they already get to read manga on the net for free. But he completely missed the point. That said, I was not about to lose friendship over it; I was not the one missing something good, anyway.

A sample from Kiko Machine. What immediately drew me to this when I encountered the strip in the dailies was it not only obviously showed bits and pieces of the Pinoy way of life, but the campus scenarios, though made all funny, gave the artist away, that we’re from the same alma mater. It’s not really bias on my part, just that it’s like reminiscing your school days 🙂

I read the copies my friend owns and am really hankering to buy my own copies of the series. I like the drawing, but I really appreciate the story-telling and the fact that they — the Damaso couple — create “rewinds” to give readers more ideas as to the background of the story. They have also created the comic book Dragon Breed, which I like as well

From the site: “in the post-zombie apocalypse, just getting to school in the morning can be a real killer. welcome to the worst day in the lives of a school bus full of children.” I would love to see a movie version of this! Oh, and this was even before “World War Z” came out

If it’s not obvious already from my past posts, I already have several favorite titles that I like to follow: Kiko Machine, Cat’s Trail, Drop Dead Dangerous, Espiritista, Sulsi (and the other IKOS comics), School Run. I would like to follow Trese, Fallen Ash, Bathala, Dragon Breed, what else….? I really liked, too, the book Elmer and the short Ang Maskot that later became a short film, plus, Kapitan Tog provides comic relief, pun maybe intended 😉

The Alphario Team…Photo credit is theirs

Having bought a story from them, I think I should also try checking out titles from a certain group whose name escapes me for now. Meanwhile, I have to say that I really like the enthusiasm and the efforts the whole Alphario Team always puts into marketing and promoting their comics during the event and even pre-event.

Of all the titles, though, I really am very partial to Ang Sumpa (by Andoyman). Not only does the artist himself pours his heart into it, but so do I. When Andy asked me to serve as editor, I also ended up sharing my ideas, as far as the forensics side is concerned (expert-wannabe). That’s probably why it says “Story Assist by…” on the cover. Still, it’s his story, not mine, his characters, his plot. I, on the other hand, is just happy to be a part of the comics industry, even in just this way. Admittedly, I am now inclined to write my own story or stories — I can’t do the drawing, but I can write the story, right?

They did not hold the usual Summer Komikon this year. But rest assured that the Indieket’s happening soon. I plan to go so hopefully, things will go as planned. If they do, see you there, folks! Support the local comics industry!!! Time to KOMIKONATE  😀

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For more Komikon-related posts, please go to COMICS TRIPS.

Komikon for Dummies

Last Saturday, August 2, was 2014’s Indieket Day or the Independent Komiks Market event of the local Komikon, the Philippines’ own comics convention. Indieket is the second of three bigger Komikon events held annually, the other two being the Summer Komikon (keyword: summer) and the regular one usually held November or December (my friend Sherwin The Kraken tries to call it the Winter Komikon, nevermind that we have no winter). Other often smaller but equally special conventions happen in provinces once in a while, too, like in Cebu, Baguio and, recently, Iloilo.

I’ve been attending these three Komikons a few years now and *BIG SIGH* last Saturday, I was absent. For the first time since I began patronizing the once-again blooming comics industry, I missed an event. *MORE SIGHS* For more personal reasons that can actually be elaborated some other time, I stayed home instead and got busy.

Well, comics-related events have been around for quite a while before I discovered one, but I do believe I can say that I am now credible enough to share what I know. So since I have not been sharing my experiences in the more recent events, I thought I’d come up with this post. If you’re a Komikon dummy like I was, read on. This can help you on your first–or your next–Komikon experience.

The Dos-and-Don’ts Guide for Komikon Dummies

To the uninitiated, lemme explain. The occasion is for comics artists to showcase their works and for enthusiasts to take advantage of this. Rarely do you encounter dozens of artists and creators crammed in one place, so good for you. Here, you will find both newbie creators and more seasoned ones — take your pick. Okay, let’s start…

The Bayanihan Center facade. Credits belong to Ateneo.edu

1. KNOW the venue. Sounds duh, but it’s great advice coming from experience. Around two years ago, my officemates and I were to attend a Gaming, Toys, Manga/Anime and Cosplay Convention or GTMACCON (this is not Komikon, but just to drive a point…). We were a big enough bunch who came from Makati and went somewhere in UP Diliman to attend. We waited on university grounds until it was way beyond schedule and it seemed the place wasn’t even going to open. Finally, I texted comics guy Andoyman, asking where the exact venue was as someone got stuck with the wrong info that got disseminated to us.

Lo and behold! We were not even close! To add insult to injury, the venue was just in Makati, WHERE WE CAME FROM…Wow, mali (wrong). GTMACCON: Go To MAling Comics CONvention. The usual venue for the Komikon, by the way, is the Bayanihan Center located at the Unilab Compound in Pasig. 

2. Come early. It’s not like you’re going to be thrown out of the event or anything if you come in the afternoon. But it has been observed that the Summer Komikon and the “Winter” one tend to draw a big crowd. You’ll want to be one of the first to see the various merchandise, talk to the artists and ask for autographs and/or photographs. If you’re lucky, some artists give away their own simple freebies like little snacks, stickers, etcetera, as a form of appreciation. Better be there before supplies end.

It’s one, big geeky event, can’t you tell? This is the main hall where Komikon is always held, but you can imagine how it must have looked like at the entrance.

The organizers do give away freebies also right at the event entrance (not the building entrance, but where you are allowed entry after paying P100 for your ticket). Don’t expect too much, though. This is not Oprah or Ellen. Sometimes, sponsors put up booths/tables like 711 that once gave away free Slurpee and commemorative Lord of the Rings tumblers.

There’s Tico Limosinero’s boy robot Neox together with Elbert Or‘s Chuck the Bakemono High werecub (extreme right), Ikos Komiks’ Ronzkie Pacho-Vidal‘s Asul from her work Sulsi at 6 o’clock and Michael David’s own ‘kikiam’ renditions of Chuck and Asul

Oh, and at times, they give away catalogs with lots of free space on them where you can ask artists to draw something for you for free (do buy something first, please!). You can do that throughout the day, but being early means you’ll have more time to approach more artists for it, plus they won’t be too tired already to draw anything. 

3. Don’t be a snob. If you look down on local comics based on them being, well, local, this is not the event for you. Either you beat it, pal, or give local comics a chance. There are ways, though, to get your fix of foreign ones by visiting booths of edition sellers like Comic Odyssey that has somehow become a sort of fixture, so to speak, in Komikon events because I see them there every time.

Meanwhile, we know you most probably know the creators of Kiko Machine, Pugad Baboy, Kubori Kikiam and the likes. These guys get the longest lines of people wanting to buy their products for some great photo-ops and autograph-signing with their idols. BUT the Komikon is mainly one giant showcase of newer talents. It won’t hurt to get to know them and their works. It’s actually fun to be “there” when a comic book is just starting and to gradually see it grow, so to speak.

By the way, while the Indieket gives much more chance for new creators by giving them the spotlight, on other Komikons, they are provided a separate area called the Indie Tiangge. It’s a sort of rite of passage before they are finally allowed to make it big…Er, well, before they are allowed to take space in the main activity area, that is. Some not-so-new ones are there as well simply because they are new participants of the event.  There are various factors considered but I’m not an authority on that, ergo, I leave it to you to interview anyone there. Make sure, though, to pay the Tiangge a visit. Not because they’re there, they are not worth a look. That’s not how it works. You’ll never know what treasure lies undiscovered in that room.

I encountered the Espiritista, its first-ever of the series by Niño Balita, at the Summer Komikon 2013 Indie Tiangge and I have been happily following his creation…Congrats to him and the Mrs. Espiritista–I mean–Mrs. Irene Balita, by the way!!!  They just exchanged I-Dos a few months ago 🙂

I also first found Drop Dead Dangerous at the Indie Tiangge and I have been hooked ever since. Story by Chad Cabrera, art by Mike Banting

4. Have ka-ching, will buy. Sure, no one will send you away for “window shopping”. But the point of being there is to purchase, at the least, one or two comics. You don’t have to have a lot of moolah, believe me, I know. It’s one big decision-making exercise. A limited budget can still buy you more or less a dozen titles. A lot of them are priced from as low as P30, even P20. That’s already a steal, considering it’s art and the labor of one’s love. Of course, for such a price, do not expect a thick, glossy, full-colored edition. Generally, you’ll get photocopied versions, or limitedly colored ones, at least. But if you’re any good at choosing your comics, you can get clear, respectable-looking ones. Inexpensive doesn’t necessarily have to mean cheap.

Andoyman’s Ang Sumpa is one of those inexpensive comics that do not disappoint visually. And, no, I am not just saying that because I know him nor does it have to do with me being somehow a part of it. Shameless plug, though: DO GET YOUR COPIES!!!

Finally got to buy from the artist who likes to be simply called Macoy my own copies of School Run! He’s got various titles for you to choose from and the prices do vary based on thickness. The illustrations are fun and I like his storytelling

The Ikos Komiks table is one stop I never forget to do. They are a group of three artists with different styles in drawing and storytelling. In this pic are the aforementioned Ronzkie Pacho-Vidal (left) and Anino Karimlan (right). In-between is (the missing) Ray Vidal‘s Lola Lourdes whose stories and poems I get to read every time as they give away copies of her own brand of art — Thanks po for the autograph!!!

This one from Freely Abrigo, his Kulas, could be bought at just P30 with a fully-colored, little glossy cover

Also, I have stumbled upon inexpensive comics that have much better stories and illustrations than some pricier, glossier ones. It’s not just about getting your money’s worth when obviously, you can get much more satisfaction with still the least possible expense. If you do have more money to spare, then by all means, go for more gold! Maybe you’d like to purchase other comics-inspired merchandise, too, such as posters, stickers, plushies, beanie hats, keychains…You can even have works commissioned.

5.  Choose wisely. It’s another decision-making exercise. If you don’t know the artist/creator in front of you and can’t tell by just looking that you’d like to purchase, browse through a copy. If the premise does not interest you whatsoever, or the storytelling is bad, or the supposed humor is lacking, or the drawings either leave much to be desired or are totally horrendous (that totally happens), put the copy down and walk away.

Sherwin The Kraken (the guy in middle) has really gotten to be a FUM fan so he never misses to visit their table. These are your FUM peeps, folks! He’s got all their comic mag editions, I think, not much encouraging needed

Try not to engage or be pulled to engage in a conversation with the artist unless you sincerely would really like to learn more about the comic book. Just saying, because that would be the more humane thing to do than to put his hopes up and have him waste time and energy trying to convince you when you’re not even buying.

On a more positive note, it’s a win-win situation, whether you buy or not. If you don’t, you don’t end up with something you don’t want. If you do, at least you’ve helped someone and maybe given him the inspiration to do better next time. 

6. Pay more attention. Enthusiasts are expected to walk around the area sizing up comics and getting to know the people behind the comics. By all means, do that. But you might also want to pay attention to the stage and what they announce over the microphone once in a while. Why? The organizers have prepared more stuff and surprises for you: Contests. Interviews with well-known international Pinoy artists like Whilce Portacio of X-Men fame. Featured guests, like those from the Macoy comics-based indie film ANG MASKOT. Even surprise wedding proposals!!! Also, talks and film showings are sometimes held in other rooms.

International Guests!!!

Self-explanatory.

I also say pay attention because being a much-attended event, it has gotten the attention of bad elements as well and there have been unfortunate cases of loss of valuables. Take care of your things and, as signs always say, “Please do not leave your valuables unattended.” 

7. Don’t expect a food fair. Don’t go around complaining where the food stalls are–it’s not a food fair. There is a designated area for a limited bunch of food to buy, so find out where it is. There may be a hotdog-eating game happening onstage so if you’re also up to it, why not??? (hint: it normally happens pre-lunch period). Some participants actually give away little snacks so it pays to be early before they run out. Some do get to sell munchies at stalls outside the main Komikon area. However, if you really want fuller meals, just have your wrist stamped for re-entry later and get out of the venue. There are fast-food and regular restos around.

Once in a while, there are little snacks you can get your hands on. For a price, though. But, boy, do they look yummy….(DISCLAIMER: I’m not endorsing anything)

8. Expect cosplayers. Encounters with comic characters in the flesh are quite possible so get your cameras ready. The Komikon is often attended by cosplayers who are either there for fun or are representing artists’ creations, like the famous Amber from Ambush and Dennis and his pal from Alphario: The World Connection. Do not expect many of them, though. It’s not a cosplay event after all.    

Creator SPLGum as Dennis Blake (sitting) and friend Wilhansen Li as the character Senjo Tamura. Photo credits to SPLGum and whoever took this pic

9. Join contests. It can be as simple as the aforementioned eating contest, or raffles the organizers or artists themselves are holding, or a meet-and-greet with well-known international artists, or an actual video game at someone’s booth. Whatever the organizers and its participants’ clever minds can think of! My Komikon buddy Sherwin actually joined a create-your-character thing sponsored by Filbar’s. His and the other competitors’ works were simply amazing!

10. ENJOY!!! Totally self-explanatory, right? I just saved the best for last 🙂

Well, I hope I’ve given you ideas, you Komikon newbies. There could be lots more I have not covered, but I’ll let you discover those for yourselves. That’s part of enjoying the whole Komikon experience. Meanwhile, here are some more random but nice pics I haven’t shared before. Forgive the layout, I am editing it (there are still stuff that I don’t understand in WordPress…), and will add links soon.

Very cool Planeswalker cards that were actually just giveaways. I got Ajani, Chandra, Jace, Liliana, and Tezzeret. You can’t really play them (like I’d even know how), but they’re nice souvenirs and the art is whoah!!! Digital art by Allen Geneta

Cute Manosaur cartoon by Elbert Or on my catalog

Just had to post ’cause I really like this shot. Photo credits to SPLGum and whoever took this pic

Sherwin’s winning pose for Alphario’s Pose with Spot contest (well, I forgot the name of the contest, too, hee…)

I won for the most number of Facebook Likes category mainly because I begged and forced people–I mean, I looked so convincing…uhm, yeah…

I wasn’t EVER going to buy posters as my main goal was to buy comics, but when I saw this at Allen Geneta’s table, I knew I just HAD to have a copy. Recognize these ninjutsu-trained amphibians? Click HERE for a closer look

First time to wear one of those beanie hats at an event. My Komikon buddy was right, it was liberating, he he…That was the nearest to cosplaying in public that I could get, if that’s even cosplaying. But hey, notice my colors? 😉

So…plushies…!!!!

So cuuuuteee!!!!

The new Gerry Alanguilan book…I honestly have not bought a copy yet and have not read any part of it. I hope it’s just as good as his Elmer and Wasted

The Sulsi main characters. Got my complete set already, woohoo!!!

“Yes, I’m shameless. So sue me.”

              See you next Komikon…I PROMISE!!!!!

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Thanks so much just for dropping by and I hope you got even the tiniest bit of new info. For more Komikon-related posts, please go to COMICS TRIPS.

Indie-what? (The 2nd Komikon Grand Independent Komiks Market)

I know, I know, it’s been more than a month. I’ve been busy making a living so kindly cut me some slack, alright? *wink!* But it doesn’t mean I didn’t enjoy this year’s Indieket. On the contrary! After my official first Komikon experience, I was so raring to go and get my first-ever Indieket-fix. Get it, I did. Okay, for comparison’s sake and for those who haven’t had the chance to attend both or any of the two, there are a few things I can tell you about the Indieket and the regular Komikon.

Here are some of the independent artists-publishers present at the Indieket

For one, the Indieket, or Indie Komiks Market, is really meant mostly for emerging and independent comic publishers whose main goal is to make their own mark in the world of comics. So don’t go around expecting to see more popular titles and merchandise.

I did say “meant mostly,” so be prepared to encounter more-established works while you’re there, like we found Pugad Baboy (Pol Medina, Jr. was there and, of course, I missed the opportunity to buy his work for the second time and have him sign it) and Kubori Kikiam (my friend Sherwin was so pleased to see creator Michael David and bought almost the whole set of the series. Mr. David signed every one while I wondered if Sherwin really had an idea of what he was about to read. Some YouTube vids before already told me what to expect.)

Pol Medina Jr. (right) doing what he’s been doing since Pugad Baboy became famous—sign autographs 🙂

Publisher Point Zero’s Kubori Kikiam creator Michael David with his merchandise that feature three very horny kikiams. Kikiam is a popular streetfood in the Philippines

Two, if you get an adrenaline-rush mixing with a whole big crowd of comic geeks, the regular Komikon is your thing, not the Indieket where there are only much fewer tables, ergo, less room needed.

The not-so-crowded crowd…Perfect for me! (Although, of course, for obvious reasons, more would’ve been very ideal)

When we got to the Indieket, in fact, the absence of long lines at the entrance—the absence of any line, for that matter—was very noticeable. It doesn’t mean that people didn’t attend, though. Turn-out was still quite good, IMO, although quite less than the convention’s. Organizers definitely expected this, having held these events before.

Three, the Indieket is actually perfect for peeps who want to be able to go around more freely and examine every table to decide what to buy. They have more chance to interview the artists behind specific works (illustrators and writers alike), get to know the new ones more, or update their collections. It’s even easier to ask for autographs and/or photo-ops.

One big plus the day we were there, the organizers gave away copies of the 2013 Indieket Event Catalog that have the front and back covers “empty” to give fans a chance to ask artists to draw something on those. I’m saving mine for the Komikon, though, as I wanted to spend more time going around.

Again, Tico Limosinero, half of the guys responsible for Neox, was very accommodating, he actually spent not just quite a few minutes drawing a perfect Neox on this catalog

There’s Tico’s boy robot together with Elbert Or‘s Chuck the Bakemono High werecub (extreme right), Ikos Komiks’ Ronzkie Pacho-Vidal‘s Asul from Sulsi at 6 o’clock and Michael David’s own kikiam renditions of Chuck and Asul

We did have fun at the Indieket. Less adrenaline-rush, alright, but more meaningful communication with our great Pinoy comic artists!

I am presently cooking up something for a next comics-related post. Meanwhile, check out and enjoy the pics below 🙂

Highly approved! Tico (sitting) is all-smiles here. Again, we missed the other-half of the Neox team, Jomar Bulda

Sherwin showing off the works he commissioned from Freely Abrigo (right). They’re not so visible due to the light, though, so below are a closer look at the stuff, including my colored Kapitan Tog (that one Freely’s holding)

My very own Kapitan Tog in color 🙂

Dobbernaut and Combatron

Megaman and Rush

The complete set of HappyLockjaw‘s DropDeadDangerous (DDD) so far…I am a fan of the comic book series and can’t wait to see what’s next! More about the issues HERE

DDD’s story is by Chad Cabrera whom we met at the last Summer Komikon. And news, hot from the oven! This month’s RED Magazine includes an interview with him. Check out THESE snippets. And how about a full Blob Shack interview?

Finally met DDD illustrator Mike Banting, whom I forgot to ask to sign my copy of DDD…HERE‘s an interview with him by DeviantArt’s Indie Graphic Novels group

A true-blue FUNNY Komiks fan, my friend was so thrilled to finally put a face to a name he’s long-ago liked. Dexter Roxas, I heard, published his A.X Zero Genesis in FUNNY Komiks before. It’s not clear to me if FK is still out there, but what’s clear is Dexter’s story will continue

So this is A.X Zero Genesis!

Bookmarks showing the various A.X Zero characters

Of course, as usual, comics galore!

Also sold were souvenir buttons and other stuff, mostly from past Komikons. Sulyap is a must-have. It’s an anthology of previously published works that made an impact to comics enthusiasts

Here’s a nice souvenir that I got–a paper art doll of Sulsi’s Asul! In my previous Komikon post, I mentioned wanting this and now, it’s mine! BWAHAAHAAAAA!!!! Ronzkie said they’re coming up with the next one, most probably of the character Pula. I am seriously gonna reserve one immediately! BTW, thanks for this, Sherwin! =>

The Ikos Komiks triumvirate (from left): Ronzkie, Ray Vidal and, the guy we missed before, Anino Karimlan (whose real name I have yet to research on).

Along with beaded bracelets that we got for free, the Ikos gang gave us these cute li’l thingies–stationery, stickers and bookmarks

Meanwhile, we got these, too, from the Espiritista (Pagsapuge publication) table when we bought our copies of the comic book. The pink one’s the second love story shortie from Niño Balita (he must be one hopeless romantic!), and then there are the stickers 🙂

Speaking of the de–uh–debuhista…He he he…Here he is at his table

Now here he is asking a fellow artist for autograph. This is Melvin Calingo, much-better known as Taga-Ilog, creator of Pasig that is published under Point Zero

Now whose hand is that drawing a character from one of his kiddie comic books?

It’s Elbert Or, known for his take on a school of little monsters, the Bakemono High comics that K-Zone Magazine published

Andoyman, busy-busy! Chapter Two of Ang Sumpa is in the works and hopefully will be ready in time for the next Komikon

New artist I met here. Well, new to me, actually. This is Ricardo ‘giosdesk’ Guiao Jr. who is behind the Lakan at Makisig comic strip and, I have to say, I love those names 🙂

Gio’s Lakan at Makisig strips. Sorry for the blurred shot

Daniel Collado says Hola Filipinas! I bought this not because he is foreign but because I wanted to see how this true story of “A Spaniard in Manila” goes. He is a new comics artist working on a series with a Filipino who, if I got it right from the other guy, is/was his classmate. I am hazarding a guess Hola was part of a school project because the way the other guy explained his own work that tackled Philippine history was that it was a school project. Or maybe workshop project?

Here’s a better look at Hola. I THINK I found Daniel’s FB, but since he’s new and I can’t assume it’s okay to share, I leave it up to you to look for him

At the event, we found this display of entries for Filbar’s THE POP! ART PROJECT. It is a contest that requires competitors to customize their own suits of armor with three Funko Pop characters to choose from and use as base figures

The said Funko Pop characters happen to be three Iron Man suit of armor figures. Deadline: Oct. 30, 2013. Jugment Day: Next Komikon, November 16th. For more details, CLICK HERE!

Do you comic geeks find this suit kind of familiar? 😉

With due respect to all contestants, particularly artists, this is my clear favorite. Well, was, so far. I have not seen if there are new entries. I like how totally different this looks from the Iron Man base and I love the little details. Thumbs up!

DREAM COME TRUE! Last time, Sherwin the Kraken missed the hotdog-eating contest. This time, he wasted no time and ate leisurely away. Did he win? Clue: I said “leisurely”

Manila Bulletin joined the event by having a free photo booth for anyone interested to pose. ‘Course, we did. The pics were supposed to be posted online by MB but I forgot where…

Okay, to be fair, here’s my mug shot. The MB rep took a better shot, for sure, and hopefully, my shameless plug of my blog was more readable. There’s Asul posing with me 😉

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NOTE: Were you there? Anything you can contribute? A blog post by you about it, maybe? Just let me know and I will link to it 🙂

NOTE 2: More INDIEKET 2013 write-ups worth-sharing: A great recount of the event is at Sights & Highlights of the Indieket 2013. The best from Komikon Indieket 2013 reviews some of what PsychoCow deemed best from this year’s Indieket. The simply titled Komikon Indieket 2013 post shares some very nice shots from the event. All these links will be added as relevant links in the subpages of my COMICS TRIPS that are under construction. By the way, these links are from the Indieket Facebook event page. THANKS!!! 

NOTE 3: All photos by Sherwin and myself.

Un-Newbie-d (The Real Komikon Experience)

“I’ve been KONned.” There’s just no other way to say it. After more than a year of calling myself a Komikon newbie—worse, an ‘(Almost) Komikon newbie’—I can now claim to be a real Komikon fangirl! Attending last April 13’s event at the Bayanihan Center in Pasig made sure of that.

Some posts ago, I said I would not expect a real comics convention as much different from the comics festival I went to before, but it’s one of those rare occasions I’m thankful to be proven wrong. The Komiks Festival was cool and all, but the real Komikon…ROCKS! For starters, I was early enough at the venue, but what did I find? Already two long qeues to the building entrance. Later on, the place would be swarming with fans to feed their comic-hungry souls. My friend Sherwin was running late so good luck to him.

Whew!!! That’s just at the event entrance, lots more outside the building entrance, and lots more inside Bayanihan Center. Image from Komikon’s Facebook account

This just proved that Pinoy Komiks are NOT dead. Rather, quite alive and kicking. It was overwhelming to see a lot of geeks convening in one place (hey, don’t be offended by the geek-label, remember I was there, too, to enhance my geekiness). More overwhelming to know that thousands support the growing, new comics industry.

I almost made another mistake, what I call ‘Gayda Moment.’ Years ago, I absent-mindedly smiled and nodded a hey-there to a very familiar face only to realize it was Toni Rose Gayda, who didn’t really know me, and whom I never really personally met. Poor woman didn’t know how to react, trying to place me. So I almost made a fool of myself once again last Saturday, about to smile and nod a hey-there to Gab Chee Kee of the famous Parokya ni Edgar. Wow, ‘feeling-close’ naman ako. Funny, but I ended up following him in line. I could only hope no eager paparazzi took secret photos of him, a girl at his back looking silly like she was about to go to the beach with her large native bag, not attending the convention.

Once I got my ticket back with the stub removed, received my first set of freebies, and had the Summer Komikon logo stamped at the back of my right wrist, I proceeded to the lobby where I consumed a free Slurpee for breakfast (hey, I was in a hurry!). Shamelessly accepted, too, a The Hobbit Slurpee tumbler give-away (excess from when the movie was shown, but who cared? I love souvenirs). There were some non-comicbook goods being sold already right at the lobby but I didn’t want to splurge on them when I hadn’t even bought comics first.

A young comics enthusiast checks out the exhibit on the various Character Making Contest entries

Facing the actual event area, I found on the right an exhibit of the Character Making Contest entries that had “Bata ang Bida!” (loose translation: “Kids Rule!”) as this year’s theme. Boy, a lot of them actually had promise. I would’ve checked out every one to have my own bets, but I told my friend, Andoyman Komikero, I was going to his table at the Indie Tiangge so I thought I’d just come back later (I forgot, though, but here are the winners: Character Making Contest 2013 winners).

So! Where was the Indie Tiangge section? I knew it was supposed to be separated from the main hall itself, but there didn’t seem to be anywhere else to go, but down a corridor that seemed too serious, I didn’t want to go where it could be off-limits. So I entered the hall.

Wow! Talk about crowded. There were lots of people and there were lots and lots of goodies to choose from. It was hard not to somehow touch shoulders with others or accidentally hit a display or two. Many popular titles and artists to choose from, too! I tell you I didn’t know where to start. So I just went around looking for Andoyman here, there, everywhere and I told myself to check outside again. It was a good thing because somebody, at last, posted a big sign now pointing to the direction of the Indie Tiangge, down the serious corridor. Ugh.

There he was! Finally! It had been more than two years when last Andy and I saw each other. Every communication–editing included–done through Facebook, texts and emails. I was glad to get actual copies of his Ang Sumpa (published under his Andoyman Komiks), especially because in a way, I was a part of it. I never knew I’d be doing anything related to comics. But now, let’s just say I’m thinking bigger things. We’ll see.

Andoyman Komikero meets the Vidals of Ikos Komiks. That’s Andy, at left, with Ronzkie Pacho-Vidal sitting at the back, and Ray Vidal at our right

Andoyman Komiks. From left: The freebie Palimos ng Kulangot written by Doc Ronibats, Ang Sumpa 1 & 2, FOODCOURT, Andoyman’s baptism of fire

After some tête-a-tête and finding out there was no phone signal there, I went out to see any replies from Sherwin. He asked,“Wer n u? Nsa indi komiks tiangge k?” (“Where are you? At the Indie Tiangge?”) , to which I said yes and I would be waiting for him there. Then I spotted the Jonas Diego whom I last saw personally at the Festival; before that was yeeeeaarsss ago. Of course, we got to talk a bit and found we are just practically neighbors in Makati. I asked for issue 2 of his Pocket Comics, unfortunately, it was/is still a negative.

The Ikos Komiks. They’re a variety of things–for kids, love stories, fantasies, action, drama, horror even (I am hazarding a guess here)

After a while, I went back to the Tiangge. Andoyman introduced me to the peeps next to him, Ikos Komiks‘ Ronzkie Pacho-Vidal and Ray Vidal. Their third member, Anino Karimlan, was not there. Ronzkie got to discuss with me their production and comic outputs. I’ve got to say I was initially attracted to their works visually. Then I got to flip through the pages and, through more explanations from her, I decided I wanted to buy at least two first. Based on what I’ve seen and read later on, I know Ikos Komiks is quite a group to watch out for. I am officially a fan.

As freebie, Ray gave away copies of the poetry book Utterly Woman: Lyric Poems, which, with one look, I immediately knew wasn’t new. Confirmation was when I asked and he said the writer, Lourdes H. Vidal, is his grandma. No problem. I love poems, and I actually considered myself lucky getting such a book for free. There was no other poetry-lover there more thankful.

Moments later, I met up with Sherwin at the lobby, and he was already wearing a Jake the Adventurer hat—to join his Picachu and Stitch hats in the office—that he just purchased from the event area. The Tiangge area was where we first devoted a lot of our time. It was a much smaller place but talent there was just as full and brimming.

I swear, it was somewhat a heartbreaking experience. Imagine, wanting much, much more with much, much less budget. Well, c’est la vie (that’s life). I had to balance between treating myself once in a while and still keeping it practical.

I have to admit, the main reason I bought Macoy Tang‘s Ang Maskot comics was my curiosity about its story, given that according to the woman at the table (I didn’t ask how they are related), it has been translated into film that’s about to be viewed at the coming Cinemalaya. I’m a sucker for indie films so I just had to know what Maskot was all about. The trailer, I just read online a few days ago, was actually shown at the Komikon, and I missed it. But reading the comics first made me agree that it was definitely movie-material.

Macoy Tang modeling not his works but the ‘freebie’ (LOL!). He’s got loads of work and I must say, his School Run would be great to make a movie out of as well. Sali ako, p’wede ‘ko zombiiieee!!!!

Sherwin the Kraken enjoying his Slurpee. At his back is the almost-inconspicuous tarp on which are printed, among other things, the events of the day and–hello!!!–the event floormap…pffft…And, oh, found out the other day the map was also included in the first freebies at the event entrance. Toinks!

Fast-forward to us finally moving to the great hall. Yipes! More people! There was a hotdog-eating competition going on onstage and I laughed at how sincere Sherwin sounded when he said he really wanted to join. Just like me, he was hungry already, and he wouldn’t be called ‘The Kraken,’ too, for nothing. He’s got a black hole for a stomach!

Sherwin had a blast catching up, so to speak, with some artists he met at a past Komikon, particularly Pop U band members whose vocalist, Ker Floria, drew comics (Indie) as well and gave away a CD before as freebie (I liked some of the songs).

Sherwin bought copies again, too, of FUM (Filipino Utilized Manga). We got to meet the peeps behind the Filipino Manga mag. I’ve had my clear favorite so far from before, Rui Chan‘s Enguard, plus I was/am waiting for any actual storytelling of Legends of Maya, I think by Doc RaCe.

Meanwhile, I was so thankful for the Komiks Festival for I didn’t have to fall in line anymore (what a line it was and it’s said long lines are always expected with him around) at the Summer Komikon just to have Manix Abrera sign my copy of any of his books.

The FUM Team, from left: Doc RaCe, Rui Chan, (sorry we didn’t catch the name of the next one), Freya Dy, and I think the last one’s Kasamaan, if I’m not mistaken

From top, clockwise: New issues of FUM mags Breve and Latte versions, Bargitte version and a ‘One Shot’ comics called Anti-Hero as freebies, and cartoonized bookmarks and sticker as freebies as well

I saw Johnny Danganan, too, handling the auction table where various artists donated their masterpieces for a good cause. It was for the annual “Lapis at Papel” (“Pencil and Paper”) Project where proceeds were to go to a charitable cause, to help out underprivileged kids and supply school items to them for the coming school year. Artworks donated by artists were auctioned with bids starting at P500. Kudos for the efforts, guys!

Johnny Danganan and Jonas Diego at the auction table. Image from  Jonas’ Facebook account, posted by Mr. Rodrigo T. Andres, Jr. (thanks, Sir!)

I went around and around also looking for Freely Abrigo but I only found him right when we were to go home. My companion had something to do and should’ve left an hour ago, while I was going home to the province, which explains the big bag.

Singaporean guest artists also graced the event and were interviewed onstage, sharing their thoughts and experiences

We were so busy checking out the wares, we hardly took notice of the stage where a lot more things did happen, like a Moving-Up Graduation Ceremony (moving up meant graduating from the Indie Tiangge level), Singaporean artists Otto Fong and C. T. Lim gracing the event, actor Ketchup Eusebio promoting the Ang Maskot film where he played the title role, Bogart the Explorer also promoting a yet-untitled film in his supposed hero costume, other fun contests and, aaaww, a surprise marriage proposal.

Meanwhile, Freely wasn’t so free but was busy attending to people. I waited for some minutes but it was not enough. I looked at the table and found I already have copies of his comics, except any Kapitan Tog but, by then, no more moolah…Next time, Freely, next time.

Lots more comicbooks broke my heart. The only thing that got me going was the idea that some of those could be bought some other days from bookstores, and that I’d be seeing them again at the next Komikons. So next time, I’ll be on the lookout for them. I’ll make sure I won’t miss them like I did Elmer Damaso and his Cat’s Trail. Well we saw him there so I figured he was participating.

Between the two of us, Sherwin and I brought home enough loot to satisfy us. We share collections so we get to read each other’s comics anyway. In fact, I’m done reading everything from this batch of loot, as well as the other batch he got from a previous Komikon.

It was really a fun experience, something I won’t mind experiencing again. Till the next time, Komikon!

More than a year and still so Free-ly! You haven’t changed, Freely. First photo, taken by me, from Komiks Festival. Second photo from Freely Abrigo‘s Facebook account

Ano’ng balita? It’s Nino Balita and the Espiritista! The “package” consisted of his comicbook plus a shortie, Ang Inuuod Kong Puso, and stickers. Not Bad. Got the cutest autograph, too, so far

Here’s a better look at Ronzkie Pacho-Vidal of Ikos Komiks with a patron (my guess). I would LOVE to have that paper-thingy of Asul! Copyright belongs to Ikos Komiks and the people behind it. Got this from their blog

Half of the guys responsible for Neox, Tico Limosinero accommodated our queries at their table. The other one is Jomar Bulda

Happy Lockjaw‘s Drop Dead Dangerous indirectly came highly recommended by a friend so I thought I’d check it out and get a copy myself of the first issue. Thanks to Chad Cabrera for signing on the cover real nice and neat. Didn’t get to meet Mike Banting, though…Can’t wait to get the next ish-es!

Will you look at that?!! Blockbuster!!! Image copyright belongs to Jonas Diego

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NOTE: Were you there? Anything you can contribute? A blog post by you about it, maybe? Just let me know and I will link to it 🙂

NOTE 2: Just some nice Summer Komikon-related blogposts — Summer Komikon 2013 Report by the great Mr. Gerry Alanguilan (you have GOT to read this and watch the vids, too!), Komikon 2013: Pinoy Comic Artists and Fans Converge at the Bayanihan Center in Pasig (feast your eyes as well on all the audio-visuals here), The Boys of Summer Komikon, Why Summer Komikon 2013 was a blast (the only thing I disagree with it is the Komikon supposedly being quite child-friendly; friendly enough, yes, but there are lots of comic books that do require parental guidance when being read by kids)

NOTE 3: All photos by Sherwin and myself, except when indicated otherwise.